A visually stunning sci-fi short film that relies entirely on visual imagery to tell its story. The plot is rather vague and ambiguous, but there are several very clever cinematography tricks used against the backdrop of a desolate, dark landscape.
It seamlessly uses the pan across an object, swipe to a different character, pan, swipe, different character. The slow pans move in closer to the subject following each successive swipe, just like Spielberg did in Jaws as Brody watched the town folk swim in the water while he sat back and nervously watched.
In this story, the antagonist isn’t a shark, though, it’s a large android-like figure with a red band of light covering his eyes, like Cyclops from X-Men. He is chasing after a cyberpunk-looking figure, who’s often running in slow motion, the background a constant source of tension. The ‘cyclops’ weaves in and out of the frame horizontally, creating a demonic aura, though we don’t completely understand his moral position by the end of it.
Great world-building and production design, though it plays out more like a music video than an actual narrative. I couldn’t tell you the motivations of the characters if I tried, but whatever they are, they looked cool going after them. Personally, I would have liked the terminator-style chase sequence to be a bit more frantic and have a little less slow motion. The slow motion implies that we care deeply for this character’s livelihood, but we don’t. Speed it up and it becomes more energetic, intense, and engaging, instead of just simply pretty to look at.
Directed by Ash Thorp and Anthony Scott Burns