Zac Snyder’s new geek-aimed film, Sucker Punch, first released with the motto that it was “for woman’s rights”. Well, it lost everyone elses in the process, including the girls, through exploitation and depictions of innocent stupidity. However true, it is nowhere near a plus for woman’s rights. The film evokes a feeling of a silent movie, where the prospect of said films sounds riveting, with action progressing through pounding soundtracks in a synthetic, natural linearity. However, this is not the case here; Snyder has tried to copy and paste the feel of a graphic novel onto the screen with terrible dialogue and an uninvolved plot.
The plot surrounds a girl in a psych-unit, who escapes the dreary world through unexplained dreams of epic-fighting and Japanese like dodging. The movie feels like a long music video for a dubstep song, with never ending swirls of noirish imagery and girls’ hips. Blue Jones, played by Oscar Isaac, is a pimp for the backstage girls; he releases his angers through pretensious directing, like wincing with his eyes closed before putting his head up to make his frustrated point. He has a thin-mustache and tries to act seductive, which nastiness would be right for the character, but the actor doesn’t play the role to good effect. The girls are depicted as far too innocent and indecisive; they are in a psyche unit, I would image they would be a little more on the fringe.
As the director of Watchmen, some say he ruined a masterpiece. He no doubt has a knack for wild special effects, but what he does with them is what makes his reputation drown. Sucker Punch stars Emily Browning as Babydoll, sent to an old fashioned psychiatric unit by her father; the whole institution is filled with prostitutes;the costumer designer definitely makes them look like one, but doesn’t draw the line for who isn’t, maybe everyone; a great thing to look at for a couple hours, no doubt, but once again, Woman’s rights?
The film is redundantly paced and childishly made, featuring Nazi zombies and ninja skirt-wearing ninja girls. The effects become tiring in the noirish swirls of uninspired terror and fear, and even the girl’s pottiness gets tiring, the actresses effortlessly sad that their director didn’t supply them with a more justified reason to be balling their eyes out. Sucker Punch drags and brings nothing new but an army of red-eyed nazi zombies, a big misfire for effects-director Zac Snyder.